Tag Archives: The Story of the Lost Child

The Story of the Lost Child by Elena Ferrante

Four-hundred-and-seventy-three pages, Europa Editions.

story-of-the-lost-child-cover-241The Story of the Lost Child is the fourth and final installment of Elena Ferrante’s Neapolitan chronicles recounting the story of Elena and Lina. Reading the book is like cliff-diving off a high cliff and crashing on the rocks below. It’s a sad ending to a glorious story.

I’m not going to spoil the book for you, but the two protagonists become pregnant and raise their children in the old neighbourhood. One of the two protagonists literally loses her child and begins a slow decent into instability if not madness. A lot of ink is taken up summing up of all the characters and where they’re at in their lives when the book ends in 2006. Lina and Elena are in their 60s, as are the majority of the cast of characters who make up the novel.

Elena is a success but she’s crushed by depression, never becoming the confidant person she could have been. She feels that her career has been marred by that. Elena is a success but she’s consumed by self doubt. Lina too, becomes a success but eventually implodes. Lina disappears, we know that in the first pages of the first novel. Here, we get an inkling as to why; she may have been murdered or simply decided to vanish of her own free will. Not knowing why she’s gone missing is an unsatisfying aspect of the novel.

The series has been a stellar trip about the lives of two remarkable women and the people in their lives. However, the ending is a sad ending to an otherwise at times shocking and always eventful series. I expect characters in their 60s to have misgivings, joys and regrets but Elena and especially Lina, loomed larger than life and their senior years are just plain dull.

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Those Who Leave and Those Who Stay by Elena Ferrante. Translated by Ann Goldstein.

Four-hundred and eighteen pages. Europa Editions.

9781609452339Those Who Leave and Those Who Stay reads like a soap opera. You know the entire cast of characters; new and fleeting ones are introduced and they get themselves into dangerous, sad and fascinating situations. You know they’ll get out of the mess they’re in but you don’t know how, so you keep reading.

The third in the four-book Neapolitan series is definitely not pulp fiction, yet it contains lurid and sensational subject matter and its narrative is operatic in scope. The main characters Lina and Elena alone would be comfortable in a Jackie Collins novel; not to mention the characters that surround them. In fact, that may be the broad appeal of the series.

The characters are so richly described and the writing so evocative, that the book is more than typical chick lit about women’s relationships. Ferrante’s talented writing elevates Those Who Leave and Those Who Stay from a light fluffy read at the cottage to literary prose.

The third book becomes more about Elena and how she asserts herself as a person and as a writer, while Lila spins down into a horrible abyss before climbing back up. Characters from the previous two books come together. There’s a reversal of fortune.  At this point, I could give you a synopsis of the novel but I won’t. I didn’t have a clue as to what would happen on these pages and I want to give you the same pleasure.

However, I will tell you that what Lila and Elena go through is almost symbolic of the cultural and social changes that take place in Italy during the late 1960s and 70s, the period the book is set in.

It’s a great read but a thick read at 418 pages. Enjoy.